Love Aaj kal Movie Review, Starring: Saif Ali Khan, Deepika Padukone, debutantes Giselle Monteiro and Florence Brudenell Bruce, Rishi Kapoor and Rahul Khanna (Sp.App)
Director: Imtiaz Ali
Student in London, Jai (Saif) and Meera (Deepika) are in a report/ratio for two years but when the career shows finger, they stop their report/ratio mutually. Meera prepares to go to India to continue its career in old historical restorations of places while Jai waits London with a hope to obtain its work dreamer in the gold Co door. of San Fransico. The couple however stopped decides to remain in contact via the calls of net and telephone and to continue to remain friends. The owner of restaurant transfer Singh (Rishi Kapoor) is a quiet observer with their break to the top the process since it occurs in his restaurant. Incompetent to support the approach far too occasional referred to the businesses of the heart of the couples, it tries to convince reticent Jai which it makes an error. By feeling that Jai does not take it with serious, transfer the beginnings then reporting it its own history of love with Harleen Kaur (Gisele Monteiro) which took place remote in 1965 in Delhi. Consequently begin the deployment of these two stories of love being parallel unit which finish fortuitous upwards with a similar culminating point after much of torsions and of turns which are also similar in spite of the various zones of period.
After manufacture the much liked blow that we met, Imtiaz Ali succeeds in giving us an extremely different history of love of which we before �t�e never pilot on the Indian screen. It marks the high one on its writing and its treatment of film. In initial the 10 minute establishes it successfully the report/ratio of Saif and Deepika and their whims of character. It astonishes you then by putting a song melancholic (YE Dooriyan) as a role of appropriations by opening showing by the assemblies by various important torsions by the piece by ground which is ahead. In fact its scenario is indeed full with ahead surprised, particularly in second half. While you start to envisage a particular thing occurring ahead in the piece of ground, almost 9 times out of 10 it prove to you false. Making film extremely relatable with each one which forever be in the love and stopped with its associate, Imtiaz takes it notch higher by its dialogues which resound simple but transports much. The abundance of the scenes remain with you while you leave. Imtiaz repeated its technical trio of team of JWM - Aarti Bajaj (edition), nounours Maurya (direction of art) and scenario writer (NR. Nataraj Subramaniam) and each one of them excelled in their respective departments. The music of film by Pritam orders already the diagrams and with recognition none songs acts as breakers speed. The picturisation of principal Kya Hoon in showing San Francisco of various changes of Saif is simply fantastic.
Without any doubt, they are the best executions of career of Saif and Deepika and it should not be a surprise if they both finish gaining to the top the majority of rewards during this year. Saif always was at ease playing the expenses no joint type by cords but inside here it also succeeds in playing brooded Sardar that romantic transfer Singh very well and is extremely impressive in the emotive orders of interval of post. Deepika gains hearts not simply by the extremely attractive glance in all but also with the facility without effort which it depicts its complex character. Rishi Kapoor is extremely adorable as ripe transfers Singh and lends enormous dignity to its character. The beginner Gisele Monteiro manages to speak about volumes right by her expressions. Rahul Khanna in a special aspect is good and adapts to the character perfectly well. Raj Zutshi playing the father of Harleen points out the character of Pawan Malhotra of the uncle de Kareena in the blow which we met. Florence Brudenell Bruce playing the Swiss friend of Saif does not have to realize much but to manage it to complete a good work.
The love Aaj Kal is a film certainly not to be missed. It offers something to us fresh and is a single experiment in saying and direction of history which functions of first rank. It is a film whose Saif, Deepika and Imtiaz will be always proud all the times that they look at their career behind.
After manufacture the much liked blow that we met, Imtiaz Ali succeeds in giving us an extremely different history of love of which we before �t�e never pilot on the Indian screen. It marks the high one on its writing and its treatment of film. In initial the 10 minute establishes it successfully the report/ratio of Saif and Deepika and their whims of character. It astonishes you then by putting a song melancholic (YE Dooriyan) as a role of appropriations by opening showing by the assemblies by various important torsions by the piece by ground which is ahead. In fact its scenario is indeed full with ahead surprised, particularly in second half. While you start to envisage a particular thing occurring ahead in the piece of ground, almost 9 times out of 10 it prove to you false. Making film extremely relatable with each one which forever be in the love and stopped with its associate, Imtiaz takes it notch higher by its dialogues which resound simple but transports much. The abundance of the scenes remain with you while you leave. Imtiaz repeated its technical trio of team of JWM - Aarti Bajaj (edition), nounours Maurya (direction of art) and scenario writer (NR. Nataraj Subramaniam) and each one of them excelled in their respective departments. The music of film by Pritam orders already the diagrams and with recognition none songs acts as breakers speed. The picturisation of principal Kya Hoon in showing San Francisco of various changes of Saif is simply fantastic.
Without any doubt, they are the best executions of career of Saif and Deepika and it should not be a surprise if they both finish gaining to the top the majority of rewards during this year. Saif always was at ease playing the expenses no joint type by cords but inside here it also succeeds in playing brooded Sardar that romantic transfer Singh very well and is extremely impressive in the emotive orders of interval of post. Deepika gains hearts not simply by the extremely attractive glance in all but also with the facility without effort which it depicts its complex character. Rishi Kapoor is extremely adorable as ripe transfers Singh and lends enormous dignity to its character. The beginner Gisele Monteiro manages to speak about volumes right by her expressions. Rahul Khanna in a special aspect is good and adapts to the character perfectly well. Raj Zutshi playing the father of Harleen points out the character of Pawan Malhotra of the uncle de Kareena in the blow which we met. Florence Brudenell Bruce playing the Swiss friend of Saif does not have to realize much but to manage it to complete a good work.
The love Aaj Kal is a film certainly not to be missed. It offers something to us fresh and is a single experiment in saying and direction of history which functions of first rank. It is a film whose Saif, Deepika and Imtiaz will be always proud all the times that they look at their career behind.
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